Premiere of the Argentine musical “El loco de Asís”

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MEXICO CITY (Procedure).- One of the vital prolific and award-winning playwrights and theater administrators in Argentina, Manuel González Gil, brings the musical to Mexico The madman of Assisiof his personal, and which he labored along with his compatriot, the outstanding musician Martín Bianchedi.

Each created the piece after they have been twenty-somethings, which the Church sought after to censor in 1983, when the army dictatorship nonetheless existed in that country. Then Jorge Mario Bergoglio, now Pope Francis, stored her. And right here it may be noticed on the Xola Julio Prieto Theater on Wednesday the twenty ninth and Thursday the thirtieth, in addition to each Saturday and Sunday in June and July.

González Gil (Buenos Aires, 1952), graduated from the Nationwide Conservatory of Dramatic Artwork, recalls Procedure the piece written 41 years in the past:

“He spent his existence with this paintings! It has accompanied me each second since I launched it. It used to be nearly a need to write down a piece to the founding father of the Franciscan order. And it used to be launched when the army dictatorship used to be nonetheless ruling in my nation. It used to be an overly tough time! The whole lot used to be misinterpreted. When it got here to mild in the summertime of 1983, which even mirrored the then state of affairs, they sought after to censor it. There used to be a marketing campaign to decrease it. Possibly in the ones years it used to be nonetheless tough to convey a non secular personality on level. “A sector of the Church accused this display of ‘sensual blasphemy’ and sought after to prohibit it in the second one week of performances.”

González Gil got here out to protect his paintings prior to the media, along with his compatriot the well-known journalist Bernardo Neustadt, spokesperson for the detractors. The writer of the staging now explains: Porteños, Between Borges and Piazzola, Musketeers, A global of Cyranos y Porteñasamongst different:

“It used to be a sexy difficult level. The Church despatched a Jesuit priest, Jorge Mario Bergoglio, as a pass judgement on, to peer The madman of Assisi. And he got here away extremely joyful with the environment and the tale, thus evaporating the accusations. The play, which had begun with lukewarm attendance, become a luck.

“Bergoglio used to be the provincial of the Jesuits. When he completed the musical, he got here as much as me and mentioned: ‘The place do you get that God has a grin? And in a single a part of the start of the plot I mentioned: ‘to convey pleasure to the lips of the Lord’, and I spoke back: ‘I have no idea, I believe that if someone may just make God smile it used to be Francisco’, and I hug. Then he identified to me: ‘That is glorious! Stay doing it.’ He stored the venture.”

–So, it isn’t banned anymore?

–No. When you wish to have to prohibit anything, the other occurs, extra exposure is given, and the paintings is stuffed with other people. That summer time used to be tremendous a success. He moved directly to business theaters. It lasted greater than ten years, and so they invited me to the Cervantes Nationwide Theater to mention good-bye in 1995 or 1996. And we did an immense staging and we idea that there he would say good-bye, however he by no means mentioned good-bye! As a result of, because it used to be counseled through the now Pope, who took the title of Francis. In Argentina they’ve requested me for it one thousand occasions. It used to be recovered many extra occasions. And neatly, now in Mexico they’ve commissioned it for me, which makes me more than happy.”

Tobias Albarracín. Picture: Columba Vértiz.

Round 1983, the musical about Brother Sol used to be carried out through the Catarsis corporate, based through González Gil himself, and used to be a hotbed of artists made up of Rodolfo González, César Pierry, Ana Lascano, Nani Ardanaz, Enrique Quintanilla, Fabián Acri, Carlos through Urquiza and Cristina Pérez Pol, amongst others. It used to be introduced within the gardens of the Fernández Blanco Museum.

The piece follows Francis of Assisi as he leaves at the back of a comfy existence to seek for deeper which means. From being the son of a wealthy material service provider, he went in his early life to are living below the strictest poverty. The plot explores the important thing moments that remodeled him into the saint we all know these days. From his inspiring visions to his modern movements, each and every scene finds a little bit extra of the person at the back of the legend.

The forged is composed of Tobias Albarracin (Francisco), Alberto Araiza Guerrero, Gibran Andres Avila Aguirre, Gabriela Castillejos Cabrera, Angel Rafael Ferreyro Gomez, Antonella Fucci, Michelle Gonzalez de l. a. Torre, Andrea Landeta Fernandez, Valentina Andrea Maile Prada, Marco Romario Tapia chez and Augustine Suarez.

The efficiency has received numerous awards: ACE, Estrella de Mar, Santa Clara de Asís, Secretariat of Tradition, Cruz de Plata San Andrés, amongst others, in Argentina, and has been introduced all over Latin The usa.

In 2003, Ediciones del Eclipse printed a set with the 18 maximum necessary works for kids and younger other people written through González Gil, particularly for his staff Catarsis, titled “Subiendo acena”. Errare Humanum Est based and led the theater staff made up of the primary actors Miguel Angel Solá, Darío Grandinetti, Hugo Arana, Jorge Marrale, whilst Juan Leyrado headed the authorship in their tasks.

Gil, in flip, served as director and instructor of his personal theater college within the town of Córdoba for greater than 10 years.

In Spain he has premiered a number of of his works, equivalent to Made in Argentina (adapter and director) and the multi-award-winning These days, the diary of Adam and Eve (co-author and director) with Miguel Angel Solá and Blanca Oteyza, in addition to Gatas (writer and director) with Rosario Pardo and Silvia Abascal, and For the excitement of seeing her once more.

Within the face of materialism

González Gil is requested why he created a work about Francis of Assisi, and particularly:

“At that second he used to be the saint that amazed me, I preferred the theory of ​​absolute dispossession. If we take a photograph of our society, what abounds and grows is overall materialism. So it kind of feels to me that it’s the one this is maximum in track with what we’re experiencing and the wish to chill out that ambition a little bit.”

–Does this place that the fabric is number one after which awareness dominate an increasing number of?

–Sure, completely. Humanism is over. Not anything strikes if there’s no income at the back of it. It’s spectacular how the whole thing has been capitalized in any such method. With present parameters, the insanity of Francis of Assisi grows a lot more, canonized in 1228, two years after his demise.

–Why is it a musical?

–It additionally has so much to do with the character of the saint. He’s any such satisfied man that he lives making a song and dancing. He sings to the wind, the mountains, the ocean, the clouds and the animals. He provides you with the sensation that that pleasure wishes tune. We at all times recall to mind the tale as a musical.

–Used to be it tough to search out the tone of the tune?

–I’ve been operating with Bianchedi since I used to be seventeen. Once we have been youngsters I made up our minds to be a director and author and he made up our minds to be a musician. Bianchedi become one of the vital perfect musicians in my nation. He has created tune for motion pictures and performs. He even works on his personal songs. We’ve got at all times labored in combination. We’ve got an overly transparent bond artistically. He has an overly particular reward for taking pictures scenic moments, so I consider him totally and typically get it proper. He has created songs for lots of soloists from my nation. He’s an excellent musician.

It had by no means been arrange in Mexico The madman of Assisi:

“I got here to Mexico to direct Filomena Marturano, through Eduardo de Filippo, with Rebecca Jones and Juan Ferrara. And I considered bringing The madman of Assisi as a result of I didn’t see the religiosity of Mexico in every other Latin American nation. It used to be a problem that I sought after to take a look at since then, and I by no means may just as a result of there are at all times many stuff that intersect, jobs, briefly. And commercially Francisco de Asís isn’t very horny to manufacturers. Now the whole thing used to be in position to satisfy my dream, and I mentioned: ‘Smartly, let’s check out it.’ A basis in Argentina used to be , in addition to positive spiritual actions in Mexico and the manufacturer Rebeca Moreno and director of the Xola Theater.”

–Do you suppose that Francisco de Asís is legitimate?

–For now, he’s a saint who has counted for a lot more than Catholicism. He’s a extra in style saint, no longer like Saint Augustine or Saint John of the Go, who’re already studied in philosophy. Francis of Assisi speaks merely. He’s very transparent in his message. He speaks of anything that the Pope additionally sought after to show in his mandate: cohesion, charity and rapprochement with others. It’s taking the opposite under consideration, which turns out elementary to me at this second, and this message is necessary within the musical. He’s the saint of the deficient, surely.

I admire the Mexican actors who’re a part of the play, he excitedly emphasizes:

“In 2019, right here in Mexico, I rode A Clockwork Orange, through Stanley Kubrick, and we arrange an audition, and I discovered numerous skill. It is vitally tough to select. I’m unhappy for the folks I ignored, and that’s what took place to me with the musical, it’s made up of 11 very precious, gifted dancers, with spectacular preparation. Everybody dances, sings and acts. In actual fact, I am in love with my staff. They take in and perceive the whole thing and go back it enriched. It’s been a excitement to paintings with this workforce. What issues to me is what the play goes to impress with the general public, past the names, as a result of none of them are very well-known, even supposing they’ve all had reviews in numerous musicals. “They’re younger other people with enjoy.”

Manuel González Gil. Picture: Columba Vértiz.

–How difficult is it to make musicals within the face of mega-spectacular proposals that prevail extra on account of that than on account of the tale?

–Those displays aren’t pageant. It is something if you will be offering coloured mirrors, flying tips, briefly, the whole thing that the ones giant productions be offering, which finally end up overshadowing the actors, who’re those who inform the plot, and you’re left extra with displays like Las Vegas, they even consume the plot and the message of the paintings. The madman of Assisi It isn’t that it does not have surroundings, it does and it is stunning, however it isn’t what sticks out essentially the most, I care extra about what is claimed and the way it’s mentioned.

And he confesses that within the greater than 40 years that this musical has accompanied him, he has no longer changed it:

“I refuse to the touch her! I at all times go away it in his writing precisely the similar as once I wrote it, as a result of I believe find it irresistible used to be vomit with a message. I had to say that and in that method. Then again, the tune is up to date. All musical ways have modified within the closing 4 many years, together with choreography. That has been up to date. The writing is identical as a result of I would like that very same message as I wrote it when I used to be twenty-something. And each time they name me to direct it, I’m going with nice pleasure, I really like striking it on and seeing what it provokes within the target audience. And it fascinates me that the content material remains to be present and has power.”

The madman of Assisi might be on the Xola Theater (Xola 809 nook Gabriel Mancera, Colonia Del Valle), this Wednesday at 8 p.m. and Thursday at 8:30 p.m. The opposite performances will start at 1 p.m.


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2024-05-27 13:12:34

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