‘The canine thief’, through Chilean filmmaker Vinko Tomičić Salinas, gained this Sunday within the class of Ibero -American fiction class within the XII Platinum Awards.
“Vinko Tomicic’s movie has had a vital global excursion, which is now added a Platinum Prize Com Very best Fiction Prima Opera. Congratulations to all the crew,” Cinemachile mentioned on their social networks.
‘The canine thief’ is a co -production of Bolivia, Chile, Mexico, France and Italy.
Credit score: EFE
He tells Martín’s tale, an orphan who works as shoeshine and makes a decision to thieve the canine of his highest consumer, a solitary tailor who starts to consider as his father.
“The canine thief” has the performances of Alfredo Castro, Teresa Ruiz (Mexico) and Franklin Aro (Bolivia), amongst others.
He was once in the past awarded as the most efficient Ibero -American movie on the Malaga Pageant. He additionally won the primary WIP Los Angeles 2021 Prize, gained 7 WIP awards in Fic Guadalajara 2021 and was once decided on as the most efficient Pitch of Cannes Cinéfondation 2019, CNC prize (Middle Nationwide Du Cinéma et l’Amage Animee, France).
Tomičić spoke with Radio DNA after receiving the award. “When you are making a film, you don’t seem to be excited about the awards. Being very transparent about what I sought after to speak and all of the love that I put to the challenge is the one who brings those rewards,” he mentioned.
“Once I were given to obtain the prize, I used to be excited, as a result of one recalls the tricky. Those are like pleasure. On the other hand, a movie has extra blows than celebrations, but if there’s a pastime that fills you, it is going forward,” he added.
He additionally wired that all of the younger individuals who seem at the tape “are herbal actors, are actual shoeshine. We have been about two years making ready them so they might movie and have been shaped as actors.”
He additionally learned how advanced his challenge was once to take ahead.
“Making cinema in Latin The united states could be very tricky. In Chile now we have the audiovisual background, which we must be very proud to have it and maintain it, however so and the whole lot, making a film is a large task.”
“This movie is a co -production between 6 international locations (…). So one is worked up when he receives popularity. This movie took us for 8 years,” the director concluded.
Different winners
In the meantime, the Brazilian movie ‘Ainda Esou right here’ (‘I am nonetheless right here’), through Walter Salles, and the Colombian sequence ‘Hundred Years of Solitude’, have been the nice winners, in an version with the very dispensed awards and by which ‘The following room’, through Pedro Almodóvar, took two awards.
And so far as interpretations are involved, the most efficient movie actress was once the Brazilian Fernanda Torres, protagonist of the movie of Salles, and the most efficient actor, the Spanish Eduard Fernández, for ‘Marco’, whilst in sequence the platinums went to the Colombian Claudio Cataño, for ‘One Hundred Years of Solitude’, and the Spanish Candela Peña, for ‘The case Asunta’.
Torres – within the rite – took the platinum for Very best Actress after taking the Golden Globe and having been nominated for the Oscar, a parallel path however opposite to the movie, which took the awards of the Hollywood Academy for Very best International Movie, however no longer the Golden Globe.
The Salles movie – both was once attended – has an actual case of a former deputy who disappears within the seventies all through the Brazilian army dictatorship. He additionally gained the Goya for Very best Ibero -American Movie and the Very best Screenplay in Venice’s Mostra and with the platinum closes a triumphal 12 months.
Within the Ibero -American Audiovisual Awards he arrived with 3 nominations and gained the 3: Very best Movie, Very best Actress and Very best Course, thus defeating the nice favourite of the evening, the Spanish ‘L. a. Infiltrada’, which of the 11 candidacies he had, handiest finished two, the most efficient script and highest meeting course.
Whilst ‘The following room’, which additionally arrived with 3 nominations -better course, larger authentic track and highest pictures course -took the ultimate two, for Alberto Iglesias and Edu Grau.
The movie awards have been finished with the most efficient solid actress for the Spanish Clara Segura, for ’47’, and the most efficient solid actor, in a posthumous manner, for the Argentine Daniel Fanego, who died ultimate September, for ‘El Jockey’.
And with the most efficient artwork course for Eugenio Caballero and Carlos Y. Jacques, for ‘Pedro Páramo’, and highest sound course for the Spanish ‘2d Prize’.
‘100 years of solitude’, the most efficient adaptation of García Márquez
Within the sequence classes, the favourite was once ‘One Hundred Years of Solitude’ and the forecasts have been met, with 3 platinum, highest sequence, highest actor (Claudio Cataño) and highest solid actor (Jairo Camargo).
The sequence is the most efficient adaptation that has been made from a piece through Gabriel García Márquez, whose magical realism could be very tricky to take to the display screen and that, in this instance, with a wholly Colombian crew, it’s been a good fortune.
On the other hand, the platinum for highest sequence writer was once taken through a Brazilian manufacturing, ‘Senna’, in regards to the lifetime of the sick -fated system 1.
The most productive main actress of a sequence was once for the Spanish Candela Peña, for her position in ‘The Asunta case’, which tells an actual and really arguable case in regards to the demise of a woman, for which her adoptive oldsters have been sentenced.
And the Platinum for Very best Actress of Supply was once for the additionally Spanish Carmen Maura for her paintings in ‘Land of Ladies’, a sequence starring Eva Longoria, who on the gala won the Platinum of Honor Award.
She was once one of the crucial emotional moments of the gala for the reason that Colombian Sofía Vergara seemed at the degree to ship her platinum to Longoria, at which era the 2 actresses merged into a large hug for her skilled profession and for her paintings for making visual the Latin group on the earth audiovisual.
Vergara brought about the best laughs of the evening along with her jokes through introducing her buddy and significant other, who claimed that “nowadays, the arena, greater than ever, wishes just right folks” just like the Spanish -speaking group, which exalted as “extra employees, extra human and extra passionate.”
Prince Royce, Pablo Alborán and Alberto Cortez (within the reminiscence)
Awards in a gala that had some musical numbers of essentially the most numerous and by which Argentina María Becerra was once lacking, which she deliberate to behave this night however that a couple of days in the past needed to be operated urgently through an ectopic being pregnant.
The presenters of the gala, the Mexican Aislinn Derbez and the Spanish Asier Etxeandía despatched him a kiss and needed him a fast restoration.
The Spaniard Pablo Alborán inaugurated the musical performances together with his new good fortune ‘Clickbate’, whilst the American of Dominican ancestry Prince Royce, referred to as the Prince of the Bachata, introduced a revision of serious pop hits with Latin rhythms, an advance of his new album, ‘everlasting’.
And Etxeandía, made a selected tribute with a reinterpretation of ‘Castles within the air’, some of the biggest successes of Argentine Alberto Cortez.
A gala that ended with a need: ‘Good-bye Spain: lengthy lifestyles to the Platinum Awards’, some awards promoted through the Entity of Rights of the Audiovisual Manufacturers of Spain (EGEDA) and the Ibero -American Federation of Cinematographic and Audiovisual Manufacturers (FIPCA), which is able to go back to Mexico subsequent 12 months.
Record of winners of the XII version of the Platinum Awards
Very best Ibero -American Fiction Movie:
‘Ainda Esou right here’ (‘I am nonetheless right here’, Brazil).
Very best Ibero -American Fiction Comedy:
‘On the lookout for Coque’ (Spain).
Very best deal with:
Walter Salles, for ‘I am nonetheless right here’ (Brazil).
Very best script:
Arantxa Echevarría and Amèlia Mora, for ‘L. a. Infiltrada’ (Spain).
Very best authentic track:
Alberto Iglesias, for ‘The following room’ (Spain)
Higher male interpretation in cinema:
Eduard Fernández, through ‘Marco’ (Spain).
Very best feminine interpretation in cinema:
Fernanda Torres, for ‘I am nonetheless right here’ (Brazil).
Higher Male solid interpretation in cinema:
Daniel Fanego, for ‘El Jockey’ (Argentina, Spain and Mexico).
Very best feminine solid interpretation in cinema:
Clara Segura, for ’47’ (Spain).
Very best animated movie:
‘Black butterflies’ (Spain and Panama).
Very best Documentary Movie:
‘El Eco’ (Mexico).
Ibero -American fiction cousin operates:
‘The canine thief’ (Bolivia, Chile, Ecuador and Mexico).
Very best meeting deal with:
Victoria Lammers, for ‘L. a. Infiltrada’ (Spain)
Very best artwork course:
Eugenio Caballero and Carlos Y. Jacques, through ‘Pedro Páramo’ (Mexico).
Higher pictures deal with:
Edu Grau, for ‘The following room’ (Spain).
Very best sound deal with:
Diana Sagrista, Alejandro Castillo, Eva Valiño and Antonin Dalmasso, for ‘2d Prize’ (Spain).
Cinema and Securities Training Award:
‘Reminiscences of a frame that burns’ (Costa Rica and Spain).
Very best Ibero -American Cinematographic Miniseries or TV sequence:
‘100 years of solitude’ (Colombia).
Higher male interpretation on tv sequence:
Claudio Cataño, for ‘One Hundred Years of Solitude’ (Colombia).
Very best feminine interpretation on tv sequence:
Candela Peña. through ‘The Asunta Case’ (Spain).
Very best feminine interpretation of tv sequence solid:
Carmen Maura, for ‘Land of Ladies’ (Spain).
Higher male interpretation of tv sequence:
Jairo Camargo, for ‘Hundred Years of Solitude’ (Colombia).
Author of Miniseries or TV sequence:
Vicente Amorim, Fernando Coimbra, Luiz Bolognesi Y Patrícia Andrade, through ‘Senna’ (Brazil).
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