In this choral novel we find the voices of three women, Carolina Urzúa and her daughters Mariana and Elisa Llona. Between them they build an intimate panorama of the last decades of our country, with the COVID-19 pandemic as a backdrop and confinement as a driving force to take charge of their poorly handled affairs.
The silence, the secrets, the fear show a society that is timid and afraid of breakups and women who dare to have their own voice. Dealing with topics such as lesbianism, machismo, HIV-AIDS, and classism, Marchant Lazcano invites us to take a timid look that quickly turns into an eagerness to know more, to understand more about the history of this upper-class Chilean family. crossed by the heartbreak and the mysterious disappearance of grandmother Julia Oportot in the company of an enigmatic woman called Jane Morton.
With mastery, the author develops a plot with cinematic overtones, in which each character is built in the company of the
others, sharing their fears, distances and unsaid things.