Muhammad bin Abdel Salam used to be born within the town of Salé in 1932, and on the age of 8 he joined the Casablanca Orphanage, the place he started studying track from Professor Ahmed Zniber.
Throughout this era, he discovered track with nice artists reminiscent of Amr Al-Tantawi, Saleh Al-Sharqi, Muhammad Al-Samiris, his brother Abbas Al-Samiris, and Ali Akeb..
After his go back to town of Salé, he based the “Salawi Union Choir”, which won broad status outside and inside town partitions. Within the yr 1954, the deceased would sign up for the “Radio Maroc” choir underneath the management of Ahmed Al-Baidawi, which used to be primarily based in Al-Barihi Boulevard, these days the Nationwide Radio and Tv Corporate of Morocco, as a violin participant, in conjunction with a mix of best avid gamers from the “Rabatian Development Choir”, which used to be headed by means of the past due Abdel Nabi. Al-Jarari, and the “Ittihad Salawi” choir, which used to be headed by means of the past due Muhammad bin Abdel Salam, and the choir consisted of significant artists such because the past due, nice Abdel Qader. Al-Rashidi, Ismail Ahmed, Abdel-Rahim Al-Saqqat, Muhammad and Abbas Al-Samiris, Ahmed Al-Shajai, and in addition the nice Maati Benqassem as a contrabass participant.
Initially of the sixties, the nice Tunisian artist, Alia, will talk over with Morocco. She might be dazzled by means of the magic of the past due Mohammed bin Abdel Salam’s melodies. She’s going to sing the glorious and enduring piece to at the present time, “I Am Who I Am,” which is from the poetry of Elia Abu Madi, in order that all of the Moroccan other folks will sing it. The past due Alia will carry out a creative excursion in Morocco only for the sake of… The eyes of this tune.
Within the yr 1963, the past due King Hassan II ordered the status quo of regional choirs, becoming a member of the past due Abdelkader Errachidi as head of the Tangier Choir and the past due, nice Mohamed Ben Abdel Salam as head of the Meknes Regional Choir. There, he’ll provide voices that Moroccans won’t ever fail to remember, such because the past due Mohamed Al-Idrissi and his masterpiece “I’ve a Bedouin”, the artist Latifa Al-Gawhari and the tune “We Needed to Be Separated”, and the past due Idris Wakwaku and his superb “Oh my Chinese language pocket flower, and my cup of tea for you and me, and my distinction at the love”, and he’ll provide different works that might be sung by means of everybody. Moroccans.
Throughout the yr 1966, by means of order of His Majesty the past due King Hassan II, he’ll compose with the past due Larbi Al-Kawkabi the primary operetta within the historical past of the Kingdom of Morocco, “The Country Developers Operetta”, which used to be written by means of the past due Ahmed Al-Tayeb Al-Alj and directed by means of the past due Farid Benmbarek, and it starred Ahmed Al-Tayeb Al-Alj and Abdel Wahed. Al-Tatwani, Muhammad Hassan Al-Jundi, Ismail Ahmed, Ahmed Al-Omari, Aziz Mahoub, Idriss Tadli, and so on.
The past due Mohammed Ben Abdel Salam performed a pivotal position in enriching Moroccan trendy artwork at first of independence, as he came upon and introduced rising voices that contributed a great deal to shaping the Moroccan creative id and attaining nice development within the creative area.
Amongst those voices are the artist Bahija Idris and her sister Amina Idris, Mohamed Al-Idrissi, Idris Wakwako, the artist Latifa El-Gohary, Abdel-Wahab El-Dakali, and later within the Nineteen Seventies his daughter Ghaitha Ben Abdel-Salam and different voices that tickled the ears of the Moroccan listener, along with his composition of many a hit songs, reminiscent of The tune “Cases” by means of Abdelhadi Belkhayat, which used to be banned from the radio for political causes, as its look coincided with the convention of Arab international locations in Morocco.
The ambience used to be annoying between one of the crucial heads of those international locations, which induced media officers to briefly ban this tune, in addition to the masterpiece “Al-Sanara.” Then again, the tune “Are living, Are living, Are living, My Nation, Are living,” stays, the lyrics of that have been written by means of the poet Ali Al-Haddani and carried out by means of the past due artist Mahmoud Al-Idrissi. , the nationwide piece that holds a unique position within the hearts of all Moroccans, as it’s sung on nationwide events and expresses emotions of pleasure and loyalty to the hometown.
The past due Mohamed Ben Abdel Salam passed on to the great beyond at the morning of Thursday, January 9, 2025, after an extended sickness at his house in Rabat, leaving a transparent mark at the historical past of Moroccan tune. He left and everybody bears witness that he used to be a humble artist who didn’t depend on controversy or media hype to draw consideration to him. Reasonably, it used to be his creative paintings that introduced consideration to him, not like many artists in this day and age who depend on “buzz” tradition and combat to draw consideration and stay well known faces. Many Moroccans have no idea the face of the deceased, however they know his works.
The nice artist Mohamed Ben Abdel Salam has passed on to the great beyond, however few know that he used to be additionally a public guy and a neighborhood reputable who supervised the control of the native affairs of town of Salé as a elected reputable, the place he labored to support and expand town’s stipulations. The deceased is regarded as a type of a accountable artist concerned about public affairs.
After all, the glorious level of sunshine stays the telegram of condolence and sympathy from His Majesty King Mohammed VI to the members of the family of the past due artist Mohammed bin Abdel Salam, by which His Majesty expressed his deep affection for his demise, calling on God Almighty to bathe him with His huge mercy. This telegram displays the glory and appreciation loved by means of the artist Mohamed Ben Abdel Salam and Moroccan artwork from the Royal Establishment, and emphasizes the position of the deceased within the historical past of Moroccan artwork.
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