Sunday 15 June 2025 – 10:20
Moroccan actress Khawla Mujahid, who is technically known as “Gilean”, returned to the lyrical scene with a new song entitled “Ha and Waldi”, which are imbued with patriotism and the spirit of belonging, through which she mixed between authentic Moroccan musical styles and strong visual messages that highlight the richness of heritage and cultural identity of the Kingdom, in a work that chose him with a carefully video clip.
The song, which was overwhelmed by the touches of Afro, popular style, and a number of symbols of Moroccan culture, celebrated, as “Gilean” employed in the clip elements of the indigestive heritage as the “Taborida” art, and a varied traditional costumes such as the caftan and the jalabah, as well as a strong presence of Moroccan tea and authentic Zelig, in scenes that pulled the colors of originality and pride in identity.
The singer opened her clip with a touching shot she collected with her mother and father, the able musician Saeed Mujahid, in a symbolic moment linking the roots and new generations, and highlighting the role of the family in refining the artistic identity.
The work also came supported by an enthusiastic geography from the signature of “Gilean” itself, performed by a group of dancers, to enhance the dance of various Moroccan rhythms and give the song visually dynamically a dynamic dimension that highlights its artistic energy and the diversity of its references.
“Ha and Waldi” also came as an artistic response and a direct message to the enemies of the country and the territorial integrity, specifically in light of the repeated attempts to Morocco to rob its cultural heritage by the neighbor Algeria, where “Gilean” wanted through this work to shed light on the richness and uniqueness of Moroccan heritage, in the face of all attempts to counterfeit and plagiarism that affected elements of Moroccan identity in recent times.
During a few hours of its launch, the song swept the musical platforms, achieving high viewership on YouTube and the rest of the applications, amid a wide praise of the Moroccan audience, who expressed his pride in this national work. It also won the approval of a number of Moroccan artists who praised the quality of the clip and its symbolic and artistic letters.
It is noteworthy that this return is a new art station in the path of “Gilean”, which has always mixed between originality and renewal and seeks to consolidate the Moroccan song in modern templates without neglecting the cultural roots.
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