Sherine’s party confuses the conclusion of “Mawazine”

The closing ceremony of the “Mawazine Rhythms of the World” festival, which was revived by the Egyptian star Sherine Abdel Wahab, on Saturday evening, turned into a organizational disaster by all standards, amid scenes of chaos, security confusion and unprecedented overcrowding that the capital Rabat has known.

Although thousands flocked to attend the ceremony early since five in the evening, armed with their tickets and cards, many of them collided with major problems in entering the “Renaissance” platform, where they remained stuck for long hours in suffocating queues, without being able to enter the designated space, which caused a state of resentment and anger.

The ocean of the platform turned into something similar to a “disaster area”, after the traffic was completely paralyzed in a number of major streets, and the citizens and the residents of the capital found themselves facing suffocating traffic confusion and closed roads, amid security interventions that seemed unable to contain the situation.

Inside the platform, the situation was not better, as a large number of those present fainted due to severe crowding and lack of ventilation, forcing the ambulance teams to intervene more than once amid suffocating chaos.

Despite the tense atmosphere, Sherine overwhelmed her enthusiastic fans and presented a bouquet of her most famous songs, an attempt to alleviate the chaos that preceded her ascension; However, this was not enough to erase the negative image that was drawn from the closing night of the festival, and the clay worsened after she sang the “Playback” technology.

These abuses have left widespread dissatisfaction in the media and mass circles, as many expressed their disappointment at the organizational deterioration that distinguished this session, demanding the accountability of the authorities responsible for the festival’s management, which, according to their saying, has become “unable to contain or respect his fans.”

It is noteworthy that the 20th session of the Mawazine Festival witnessed a series of stumbling and abuses, starting with the performances that did not have a large public presence, through technical problems in some parties, and ending with a shocking closing night, which re -asked many questions about the future of this festival and its ability to continue the pace and quality themselves.