Already in 2005 and after the resounding (and deserved, I believe) good fortune that he had with “growth of the battlefield” and “the fundamental debris”, Michel Houellebecq wrote “the opportunity of an island.”
Towards what you’ll assume, this is a textual content that, even though it does in a dark tone, seeks the birthday party or, a minimum of, the revaluation of existence and actual feelings. Within the unusual long term, two clones (Daniel 24 and 25), they to find one thing just like the memoirs in their authentic, which cause them to marvel what it’s, let’s now not say the which means, however moderately, the emotional and psychological cartography of the sector through which they reside.
This can be a excellent novel.
Breedplay this is at the billboard in theater of reminiscence, can by hook or by crook be related to that textual content, as a result of they begin from a vaguely identical premise.
On this paintings, we all know a girl, utterly nameless, with not anything particular (so nameless and now not very particular that it’s not possible that it isn’t particular) who emerges in our view with the obsession to breed, now not within the conventional sense (maternity, biology), however in a subject matter sense: his obsession, to place it someway, it’s to represent replicas of itself.
The paintings, on the subject of meeting is, indubitably, superb. The design of Laurene Lemaitre is an actual and neatly -developed paintings, which dialogues in a concrete and essential approach with the movements that happen at the level, in the similar approach, the sound design of Ximena Sánchez, manages to generate the sensation that the whole thing, on the stage of vibration and loudness, accompanies the paintings with relevance to the paintings.
Those two issues are paintings central, each are environment friendly, neatly advanced and with loads of main points that articulate an atypical visible display. The multimedial design, in addition to the lighting fixtures by way of Alex Waghorn and Matías Segura, do the similar. They take part within the tensions and distersions of the meeting, conserving the details, the textual content and the efficiency; They by no means develop into over the top, as a result of they’re dosed with purpose and neatness.
The dramaturgy of Catalina Bize del Campo (who may be the actress and director) is, in all probability, the bottom level of labor. It’s putting that, having a reinforcement advanced with dramatism and scenic accompaniment that tax on the identical house (by way of Moisés Attitude, Marcia Minted, Javier Swedsky and Border Area), this component isn’t carried out neatly.
Even supposing the textual content is definitely written and it may be thought to be that there’s a reflexive and acute pen, dramaturgy lacks threat or sense of motion, it’s an accompaniment that turns out obscure and has to get misplaced in turns and phrases that appear extra the purpose of an existential mirrored image than stated cavilation itself.
The Directorate of Catalina Bize, on the other hand, in spite of this drawback, solves the scenic sport, the theory of meeting is competent and advanced successfully, very acute care and intelligence is seen when defining the moments of the meeting, the photographs which might be proven and the power to change time and house.
Most likely for a similar reason why, Bize’s monumental talent to behave. It’s not a prejudice, to the contrary, it affects that directing this type of advanced meeting, so stuffed with main points and so tough on the subject of movements, it manages to accomplish such a lot actorically.
Bize mobilizes thru other feelings, with other energies and with a chain of emotional forces that come and cross, even if it says texts that don’t essentially cling neatly or when, silently, it handiest acts, manifesting feelings, power and imaginative capability.
“Re-produce” is a rather well built paintings, in my view, unmissable, as a result of we face a cast, scenically onerous paintings and that, indubitably, excites.
Inventive Sheet:
Dramaturgy and path: Catalina Bize del Campo
Dramaturgism and scenic accompaniment: Moisés Angulo Matamala
Deal with Assistant: Nicolás Vergara Nuñez
Scenographic and gown design: Laurene Lemaitre
Lights Design: Matías Segura Soto
Sound design: Ximena Sanchez Egaña
Multimedial Design: Alex Waghorn Gallegos
Press: Cynthia Olave
Manufacturing: Nicolás Fernandois
Dramaturgical accompaniment: Marcia garden Laplechade, border house, Javier Swedsky, approaches to the phrase, FTB.
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The content material poured on this opinion column is unique duty of its writer, and does now not essentially mirror the editorial line or place of The counter.