Paintings “Comicians with out Candilejas” in Curanilahue
- Centro Cultural de Curanilahue, Curanilahue.
- January 10.
- Access launched.
Teatro L. a. Obra’s newest manufacturing, “Cómicos sin candilejas,” will take the viewer to the overdue Nineteen Twenties of the twentieth century in Chile, to handle the complexities and traditions of the theater career at the moment, but in addition , to ask us to acknowledge the inventive price of vital references for the historical past of theater in our nation.
The piece used to be written by means of the Biobío playwright Gisel Sparza and is making ready its premiere with a circuit that starts this January 10 on the Curanilahue Cultural Middle. The performances proceed on January 11, on the Lota Theater and on January 16 on the Corporación Artistas del Acero de Concepción. The premiere cycle ends with dates on the Los Angeles Cultural Company, on January 17 and on the Chiguayante Space of Tradition, on January 18. Tickets for the efficiency in Room 100 of Artistas de Acero will likely be to be had on the cultural house’s in-person field workplace.
Requested concerning the ingenious procedure, Gisel Sparza, playwright and director of the play, feedback that “within the maelstrom of control, we hardly have the option to speak about our career, our career, what is going on or has took place inside of historiography. nationwide theater”, including that “this time, the ones people who do theater invite you to be informed somewhat piece of our craft and its historical past.”
One thing that characterizes the paintings of Teatro L. a. Obra, in its greater than twenty years of enjoy, is the scenic advent that turns on gestures of reminiscence and displays at the cultural historical past of the rustic. This time isn’t any exception. “Comics with out Candilejas” is considered a tragicomedy with an excellent tutorial and mediating pulse, designed for various generations and, additionally, a manufacturing that during itself is configured as a metatheatrical house, “theater about theater,” explains the director of the play. .
“The staging is gifted as a complete spectacle,” feedback Alfonso Lara, a part of the forged, “the place the comedy, tragedy and diversity interludes emulate the theatrical displays of the start of the remaining century and the place the musical language supplies impulse and latency that immerses and act.”
Historical past
The play revolves across the hardships and desires of the theater corporate “El Guatón Genial”, stranded in a saltpeter mine in northern Chile, and whose provide isn’t auspicious. The 3 contributors of this distinctive corporate are impressed by means of the lives of the comedian actress Olga Donoso and the silent movie actors Evaristo Lillo and Nicanor de l. a. Sotta. 3 artists who, in spite of their contribution to the historical past of theater in Chile, aren’t as smartly referred to as precursors of the nationwide theater scene. “Within the historical past of Teatro l. a. Obra, comedy has been explored however, right here, there may be deep paintings at the scenarios, the humanity of the characters and their specific way of living and resolving scenarios. It’s been a luxurious with the intention to discover the emotional range of the characters in a play,” explains Lara, who performs Evaristo.
Carried out by means of Francisca Díaz, Alfonso Lara and Pacha Medina, the paintings options the sound advent paintings of Javiera Hinrichs, with the collaboration of the musician Yayo Durán. The set design and advent is by means of Valentina Vergara and Jordi Regot, and the lights design by means of Nicole Needham. The group is finished by means of Óscar Oviedo in sound, Verónica Garrido in gown design and advent, and Diana Albornoz in choreographic course.
The premiere of the paintings will likely be on January 10, 2025, on the Curanilahue Cultural Middle (launched). Then, on January 11, there will likely be a efficiency on the Lota Theater (liberada) and on January 16, on the Corporación Artistas del Acero. The premiere circuit will proceed on January 17, on the Los Angeles Cultural Company (launched) and on January 18, on the Chiguayante Space of Tradition (launched upon registration).
Tickets for the efficiency in Room 100 of Artistas del Acero will likely be to be had on the field workplace of the Concepción cultural house.
If you wish to know extra information about this ingenious procedure, you’ll be able to get admission to Teatro L. a. Obra’s social networks, @teatrolaobra and its web page www.teatrolaobra.com.
ARTISTIC CARD
Dramaturgy and Common Course – Gisel Sparza Sepúlveda
Forged – Alfonso Esteban Lara, Francisca Díaz, Pacha Medina
Musical Sound Introduction and Performer – Javiera Hinrichs Deppe
Set Design and Make-up – Valentina Vergara
Scenographic Realization- Valentina Vergara and Jordi Regot
Dress Design and Introduction – Verónica Garrido
Lights design –Nicole Needham
Communications – Paulina Barrenechea and Carla Bustamante
Content material for RRSS- Jota Figueroa
Graphic Design – Leticia Zapata
Audiovisual Report – Monstruosa Estudio
Consulting in Musical Composition and Preparations- Yayo Durán
Choreographies – Diana Albornoz
Introduction and Design of Pedagogical Information – Francisca Rodríguez
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