‘The canine thief’, via Chilean filmmaker Vinko Tomičić Salinas, gained this Sunday within the class of Ibero -American fiction class within the XII Platinum Awards.
“Vinko Tomicic’s movie has had a vital world excursion, which is now added a Platinum Prize Com Very best Fiction Prima Opera. Congratulations to all of the crew,” Cinemachile mentioned on their social networks.
‘The canine thief’ is a co -production of Bolivia, Chile, Mexico, France and Italy.
Credit score: EFE
He tells Martín’s tale, an orphan who works as shoeshine and comes to a decision to scouse borrow the canine of his perfect shopper, a solitary tailor who starts to believe as his father.
“The canine thief” has the performances of Alfredo Castro, Teresa Ruiz (Mexico) and Franklin Aro (Bolivia), amongst others.
He used to be in the past awarded as the most productive Ibero -American movie on the Malaga Pageant. He additionally gained the principle WIP Los Angeles 2021 Prize, gained 7 WIP awards in Fic Guadalajara 2021 and used to be decided on as the most productive Pitch of Cannes Cinéfondation 2019, CNC prize (Middle Nationwide Du Cinéma et l’Amage Animee, France).
Tomičić spoke with Radio DNA after receiving the award. “When you’re making a film, you don’t seem to be occupied with the awards. Being very transparent about what I sought after to speak and the entire love that I put to the venture is the person who brings those rewards,” he mentioned.
“Once I were given to obtain the prize, I used to be excited, as a result of one recollects the tough. Those are like pleasure. Alternatively, a movie has extra blows than celebrations, but if there’s a hobby that fills you, it is going forward,” he added.
He additionally wired that the entire younger individuals who seem at the tape “are herbal actors, are actual shoeshine. We have been about two years getting ready them so they might movie and have been shaped as actors.”
He additionally learned how advanced his venture used to be to take ahead.
“Making cinema in Latin The united states may be very tough. In Chile we now have the audiovisual background, which we must be very proud to have it and deal with it, however so and the whole lot, making a film is a large process.”
“This movie is a co -production between 6 nations (…). So one is happy when he receives popularity. This movie took us for 8 years,” the director concluded.
Different winners
In the meantime, the Brazilian movie ‘Ainda Esou right here’ (‘I am nonetheless right here’), via Walter Salles, and the Colombian sequence ‘Hundred Years of Solitude’, have been the good winners, in an version with the very disbursed awards and by which ‘The following room’, via Pedro Almodóvar, took two awards.
And so far as interpretations are involved, the most productive movie actress used to be the Brazilian Fernanda Torres, protagonist of the movie of Salles, and the most productive actor, the Spanish Eduard Fernández, for ‘Marco’, whilst in sequence the platinums went to the Colombian Claudio Cataño, for ‘One Hundred Years of Solitude’, and the Spanish Candela Peña, for ‘The case Asunta’.
Torres – within the rite – took the platinum for Very best Actress after taking the Golden Globe and having been nominated for the Oscar, a parallel path however opposite to the movie, which took the awards of the Hollywood Academy for Very best Overseas Movie, however now not the Golden Globe.
The Salles movie – both used to be attended – has an actual case of a former deputy who disappears within the seventies all over the Brazilian army dictatorship. He additionally gained the Goya for Very best Ibero -American Movie and the Very best Screenplay in Venice’s Mostra and with the platinum closes a triumphal 12 months.
Within the Ibero -American Audiovisual Awards he arrived with 3 nominations and gained the 3: Very best Movie, Very best Actress and Very best Route, thus defeating the good favourite of the evening, the Spanish ‘L. a. Infiltrada’, which of the 11 candidacies he had, best finished two, the most productive script and perfect meeting course.
Whilst ‘The following room’, which additionally arrived with 3 nominations -better course, higher authentic tune and perfect images course -took the closing two, for Alberto Iglesias and Edu Grau.
The movie awards have been finished with the most productive forged actress for the Spanish Clara Segura, for ’47’, and the most productive forged actor, in a posthumous method, for the Argentine Daniel Fanego, who died closing September, for ‘El Jockey’.
And with the most productive artwork course for Eugenio Caballero and Carlos Y. Jacques, for ‘Pedro Páramo’, and perfect sound course for the Spanish ‘2d Prize’.
‘100 years of solitude’, the most productive adaptation of García Márquez
Within the sequence classes, the favourite used to be ‘One Hundred Years of Solitude’ and the forecasts have been met, with 3 platinum, perfect sequence, perfect actor (Claudio Cataño) and perfect forged actor (Jairo Camargo).
The sequence is the most productive adaptation that has been made from a piece via Gabriel García Márquez, whose magical realism may be very tough to take to the display and that, in this instance, with a completely Colombian crew, it’s been a good fortune.
Alternatively, the platinum for perfect sequence author used to be taken via a Brazilian manufacturing, ‘Senna’, concerning the lifetime of the in poor health -fated system 1.
The most productive main actress of a chain used to be for the Spanish Candela Peña, for her function in ‘The Asunta case’, which tells an actual and really arguable case concerning the demise of a lady, for which her adoptive folks have been sentenced.
And the Platinum for Very best Actress of Supply used to be for the additionally Spanish Carmen Maura for her paintings in ‘Land of Girls’, a chain starring Eva Longoria, who on the gala gained the Platinum of Honor Award.
She used to be probably the most emotional moments of the gala for the reason that Colombian Sofía Vergara seemed at the level to ship her platinum to Longoria, at which period the 2 actresses merged into a large hug for her skilled occupation and for her paintings for making visual the Latin group on the earth audiovisual.
Vergara led to the best laughs of the evening along with her jokes via introducing her pal and significant other, who claimed that “as of late, the sector, greater than ever, wishes just right other folks” just like the Spanish -speaking group, which exalted as “extra staff, extra human and extra passionate.”
Prince Royce, Pablo Alborán and Alberto Cortez (within the reminiscence)
Awards in a gala that had some musical numbers of essentially the most numerous and by which Argentina María Becerra used to be lacking, which she deliberate to behave this night however that a couple of days in the past needed to be operated urgently via an ectopic being pregnant.
The presenters of the gala, the Mexican Aislinn Derbez and the Spanish Asier Etxeandía despatched him a kiss and needed him a speedy restoration.
The Spaniard Pablo Alborán inaugurated the musical performances together with his new good fortune ‘Clickbate’, whilst the American of Dominican ancestry Prince Royce, referred to as the Prince of the Bachata, presented a revision of significant pop hits with Latin rhythms, an advance of his new album, ‘everlasting’.
And Etxeandía, made a specific tribute with a reinterpretation of ‘Castles within the air’, probably the most largest successes of Argentine Alberto Cortez.
A gala that ended with a need: ‘Good-bye Spain: lengthy lifestyles to the Platinum Awards’, some awards promoted via the Entity of Rights of the Audiovisual Manufacturers of Spain (EGEDA) and the Ibero -American Federation of Cinematographic and Audiovisual Manufacturers (FIPCA), which is able to go back to Mexico subsequent 12 months.
Record of winners of the XII version of the Platinum Awards
Very best Ibero -American Fiction Movie:
‘Ainda Esou right here’ (‘I am nonetheless right here’, Brazil).
Very best Ibero -American Fiction Comedy:
‘On the lookout for Coque’ (Spain).
Very best cope with:
Walter Salles, for ‘I am nonetheless right here’ (Brazil).
Very best script:
Arantxa Echevarría and Amèlia Mora, for ‘L. a. Infiltrada’ (Spain).
Very best authentic tune:
Alberto Iglesias, for ‘The following room’ (Spain)
Higher male interpretation in cinema:
Eduard Fernández, via ‘Marco’ (Spain).
Very best feminine interpretation in cinema:
Fernanda Torres, for ‘I am nonetheless right here’ (Brazil).
Higher Male forged interpretation in cinema:
Daniel Fanego, for ‘El Jockey’ (Argentina, Spain and Mexico).
Very best feminine forged interpretation in cinema:
Clara Segura, for ’47’ (Spain).
Very best animated movie:
‘Black butterflies’ (Spain and Panama).
Very best Documentary Movie:
‘El Eco’ (Mexico).
Ibero -American fiction cousin operates:
‘The canine thief’ (Bolivia, Chile, Ecuador and Mexico).
Very best meeting cope with:
Victoria Lammers, for ‘L. a. Infiltrada’ (Spain)
Very best artwork course:
Eugenio Caballero and Carlos Y. Jacques, via ‘Pedro Páramo’ (Mexico).
Higher images cope with:
Edu Grau, for ‘The following room’ (Spain).
Very best sound cope with:
Diana Sagrista, Alejandro Castillo, Eva Valiño and Antonin Dalmasso, for ‘2d Prize’ (Spain).
Cinema and Securities Training Award:
‘Reminiscences of a frame that burns’ (Costa Rica and Spain).
Very best Ibero -American Cinematographic Miniseries or TV sequence:
‘100 years of solitude’ (Colombia).
Higher male interpretation on tv sequence:
Claudio Cataño, for ‘One Hundred Years of Solitude’ (Colombia).
Very best feminine interpretation on tv sequence:
Candela Peña. via ‘The Asunta Case’ (Spain).
Higher feminine interpretation of tv sequence:
Carmen Maura, for ‘Land of Girls’ (Spain).
Higher male interpretation of tv sequence:
Jairo Camargo, for ‘One Hundred Years of Solitude’ (Colombia).
Writer of Miniseries or TV sequence:
Vicente Amorim, Fernando Coimbra, Luiz Bolognesi Y Patrícia Andrade, via ‘Senna’ (Brazil).
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