‘The canine thief’, through Chilean filmmaker Vinko Tomičić Salinas, gained this Sunday within the class of Ibero -American fiction class within the XII Platinum Awards.
“Vinko Tomicic’s movie has had an important global excursion, which is now added a Platinum Prize Com Highest Fiction Prima Opera. Congratulations to all the staff,” Cinemachile mentioned on their social networks.
‘The canine thief’ is a co -production of Bolivia, Chile, Mexico, France and Italy.
Credit score: EFE
He tells Martín’s tale, an orphan who works as shoeshine and comes to a decision to thieve the canine of his very best shopper, a solitary tailor who starts to believe as his father.
“The canine thief” has the performances of Alfredo Castro, Teresa Ruiz (Mexico) and Franklin Aro (Bolivia), amongst others.
He used to be up to now awarded as the most productive Ibero -American movie on the Malaga Pageant. He additionally won the principle WIP Los Angeles 2021 Prize, gained 7 WIP awards in Fic Guadalajara 2021 and used to be decided on as the most productive Pitch of Cannes Cinéfondation 2019, CNC prize (Middle Nationwide Du Cinéma et l’Amage Animee, France).
Tomičić spoke with Radio DNA after receiving the award. “When you’re making a film, you don’t seem to be fascinated by the awards. Being very transparent about what I sought after to speak and the entire love that I put to the venture is the person who brings those rewards,” he mentioned.
“Once I were given to obtain the prize, I used to be excited, as a result of one recalls the tough. Those are like pleasure. Then again, a movie has extra blows than celebrations, but if there’s a hobby that fills you, it is going forward,” he added.
He additionally stressed out that the entire younger individuals who seem at the tape “are herbal actors, are actual shoeshine. We had been about two years getting ready them so they might movie and had been shaped as actors.”
He additionally learned how complicated his venture used to be to take ahead.
“Making cinema in Latin The us could be very tough. In Chile we’ve the audiovisual background, which we should be very proud to have it and handle it, however so and the entirety, making a film is a big activity.”
“This movie is a co -production between 6 nations (…). So one is worked up when he receives popularity. This movie took us for 8 years,” the director concluded.
Different winners
In the meantime, the Brazilian movie ‘Ainda Esou right here’ (‘I am nonetheless right here’), through Walter Salles, and the Colombian sequence ‘Hundred Years of Solitude’, had been the good winners, in an version with the very disbursed awards and through which ‘The following room’, through Pedro Almodóvar, took two awards.
And so far as interpretations are involved, the most productive movie actress used to be the Brazilian Fernanda Torres, protagonist of the movie of Salles, and the most productive actor, the Spanish Eduard Fernández, for ‘Marco’, whilst in sequence the platinums went to the Colombian Claudio Cataño, for ‘One Hundred Years of Solitude’, and the Spanish Candela Peña, for ‘The case Asunta’.
Torres – within the rite – took the platinum for Highest Actress after taking the Golden Globe and having been nominated for the Oscar, a parallel direction however opposite to the movie, which took the awards of the Hollywood Academy for Highest International Movie, however now not the Golden Globe.
The Salles movie – both used to be attended – has an actual case of a former deputy who disappears within the seventies throughout the Brazilian army dictatorship. He additionally gained the Goya for Highest Ibero -American Movie and the Highest Screenplay in Venice’s Mostra and with the platinum closes a triumphal 12 months.
Within the Ibero -American Audiovisual Awards he arrived with 3 nominations and gained the 3: Highest Movie, Highest Actress and Highest Route, thus defeating the good favourite of the evening, the Spanish ‘L. a. Infiltrada’, which of the 11 candidacies he had, most effective finished two, the most productive script and very best meeting route.
Whilst ‘The following room’, which additionally arrived with 3 nominations -better route, higher unique tune and very best images route -took the final two, for Alberto Iglesias and Edu Grau.
The movie awards had been finished with the most productive forged actress for the Spanish Clara Segura, for ’47’, and the most productive forged actor, in a posthumous method, for the Argentine Daniel Fanego, who died final September, for ‘El Jockey’.
And with the most productive artwork route for Eugenio Caballero and Carlos Y. Jacques, for ‘Pedro Páramo’, and very best sound route for the Spanish ‘2d Prize’.
‘100 years of solitude’, the most productive adaptation of García Márquez
Within the sequence classes, the favourite used to be ‘One Hundred Years of Solitude’ and the forecasts had been met, with 3 platinum, very best sequence, very best actor (Claudio Cataño) and very best forged actor (Jairo Camargo).
The sequence is the most productive adaptation that has been fabricated from a piece through Gabriel García Márquez, whose magical realism could be very tough to take to the display and that, in this instance, with a wholly Colombian staff, it’s been a luck.
Then again, the platinum for very best sequence writer used to be taken through a Brazilian manufacturing, ‘Senna’, concerning the lifetime of the unwell -fated system 1.
The most productive main actress of a chain used to be for the Spanish Candela Peña, for her position in ‘The Asunta case’, which tells an actual and really arguable case concerning the loss of life of a lady, for which her adoptive oldsters had been sentenced.
And the Platinum for Highest Actress of Supply used to be for the additionally Spanish Carmen Maura for her paintings in ‘Land of Girls’, a chain starring Eva Longoria, who on the gala won the Platinum of Honor Award.
She used to be probably the most emotional moments of the gala for the reason that Colombian Sofía Vergara seemed at the level to ship her platinum to Longoria, at which era the 2 actresses merged into a large hug for her skilled profession and for her paintings for making visual the Latin group on the earth audiovisual.
Vergara led to the best laughs of the evening together with her jokes through introducing her buddy and spouse, who claimed that “lately, the sector, greater than ever, wishes excellent folks” just like the Spanish -speaking group, which exalted as “extra staff, extra human and extra passionate.”
Prince Royce, Pablo Alborán and Alberto Cortez (within the reminiscence)
Awards in a gala that had some musical numbers of essentially the most various and through which Argentina María Becerra used to be lacking, which she deliberate to behave this night however that a couple of days in the past needed to be operated urgently through an ectopic being pregnant.
The presenters of the gala, the Mexican Aislinn Derbez and the Spanish Asier Etxeandía despatched him a kiss and needed him a fast restoration.
The Spaniard Pablo Alborán inaugurated the musical performances together with his new luck ‘Clickbate’, whilst the American of Dominican ancestry Prince Royce, referred to as the Prince of the Bachata, introduced a revision of serious pop hits with Latin rhythms, an advance of his new album, ‘everlasting’.
And Etxeandía, made a selected tribute with a reinterpretation of ‘Castles within the air’, one of the vital biggest successes of Argentine Alberto Cortez.
A gala that ended with a want: ‘Good-bye Spain: lengthy lifestyles to the Platinum Awards’, some awards promoted through the Entity of Rights of the Audiovisual Manufacturers of Spain (EGEDA) and the Ibero -American Federation of Cinematographic and Audiovisual Manufacturers (FIPCA), which can go back to Mexico subsequent 12 months.
Record of winners of the XII version of the Platinum Awards
Highest Ibero -American Fiction Movie:
‘Ainda Esou right here’ (‘I am nonetheless right here’, Brazil).
Highest Ibero -American Fiction Comedy:
‘In search of Coque’ (Spain).
Highest cope with:
Walter Salles, for ‘I am nonetheless right here’ (Brazil).
Highest script:
Arantxa Echevarría and Amèlia Mora, for ‘L. a. Infiltrada’ (Spain).
Highest unique tune:
Alberto Iglesias, for ‘The following room’ (Spain)
Higher male interpretation in cinema:
Eduard Fernández, through ‘Marco’ (Spain).
Highest feminine interpretation in cinema:
Fernanda Torres, for ‘I am nonetheless right here’ (Brazil).
Higher Male forged interpretation in cinema:
Daniel Fanego, for ‘El Jockey’ (Argentina, Spain and Mexico).
Highest feminine forged interpretation in cinema:
Clara Segura, for ’47’ (Spain).
Highest animated movie:
‘Black butterflies’ (Spain and Panama).
Highest Documentary Movie:
‘El Eco’ (Mexico).
Ibero -American fiction cousin operates:
‘The canine thief’ (Bolivia, Chile, Ecuador and Mexico).
Highest meeting cope with:
Victoria Lammers, for ‘L. a. Infiltrada’ (Spain)
Highest artwork route:
Eugenio Caballero and Carlos Y. Jacques, through ‘Pedro Páramo’ (Mexico).
Higher images cope with:
Edu Grau, for ‘The following room’ (Spain).
Highest sound cope with:
Diana Sagrista, Alejandro Castillo, Eva Valiño and Antonin Dalmasso, for ‘2d Prize’ (Spain).
Cinema and Securities Training Award:
‘Reminiscences of a frame that burns’ (Costa Rica and Spain).
Highest Ibero -American Cinematographic Miniseries or TV sequence:
‘100 years of solitude’ (Colombia).
Higher male interpretation on tv sequence:
Claudio Cataño, for ‘One Hundred Years of Solitude’ (Colombia).
Highest feminine interpretation on tv sequence:
Candela Peña. through ‘The Asunta Case’ (Spain).
Higher feminine interpretation of tv sequence:
Carmen Maura, for ‘Land of Girls’ (Spain).
Higher male interpretation of tv sequence:
Jairo Camargo, for ‘One Hundred Years of Solitude’ (Colombia).
Writer of Miniseries or TV sequence:
Vicente Amorim, Fernando Coimbra, Luiz Bolognesi Y Patrícia Andrade, through ‘Senna’ (Brazil).
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