‘The canine thief’, via Chilean filmmaker Vinko Tomičić Salinas, received this Sunday within the class of Ibero -American fiction class within the XII Platinum Awards.
“Vinko Tomicic’s movie has had a vital global excursion, which is now added a Platinum Prize Com Easiest Fiction Prima Opera. Congratulations to all the group,” Cinemachile mentioned on their social networks.
‘The canine thief’ is a co -production of Bolivia, Chile, Mexico, France and Italy.
Credit score: EFE
He tells Martín’s tale, an orphan who works as shoeshine and makes a decision to thieve the canine of his perfect consumer, a solitary tailor who starts to consider as his father.
“The canine thief” has the performances of Alfredo Castro, Teresa Ruiz (Mexico) and Franklin Aro (Bolivia), amongst others.
He used to be prior to now awarded as the most productive Ibero -American movie on the Malaga Competition. He additionally won the principle WIP Los Angeles 2021 Prize, received 7 WIP awards in Fic Guadalajara 2021 and used to be decided on as the most productive Pitch of Cannes Cinéfondation 2019, CNC prize (Heart Nationwide Du Cinéma et l’Amage Animee, France).
Tomičić spoke with Radio DNA after receiving the award. “When you are making a film, you don’t seem to be eager about the awards. Being very transparent about what I sought after to speak and all of the love that I put to the venture is the one who brings those rewards,” he mentioned.
“After I were given to obtain the prize, I used to be excited, as a result of one recollects the tricky. Those are like pleasure. Alternatively, a movie has extra blows than celebrations, but if there’s a pastime that fills you, it is going forward,” he added.
He additionally wired that all of the younger individuals who seem at the tape “are herbal actors, are actual shoeshine. We had been about two years making ready them so they may movie and had been shaped as actors.”
He additionally learned how complicated his venture used to be to take ahead.
“Making cinema in Latin The usa could be very tricky. In Chile we’ve got the audiovisual background, which we should be very proud to have it and care for it, however so and the entirety, making a film is a big task.”
“This movie is a co -production between 6 international locations (…). So one is worked up when he receives reputation. This movie took us for 8 years,” the director concluded.
Different winners
In the meantime, the Brazilian movie ‘Ainda Esou right here’ (‘I am nonetheless right here’), via Walter Salles, and the Colombian sequence ‘Hundred Years of Solitude’, had been the nice winners, in an version with the very dispensed awards and through which ‘The following room’, via Pedro Almodóvar, took two awards.
And so far as interpretations are involved, the most productive movie actress used to be the Brazilian Fernanda Torres, protagonist of the movie of Salles, and the most productive actor, the Spanish Eduard Fernández, for ‘Marco’, whilst in sequence the platinums went to the Colombian Claudio Cataño, for ‘One Hundred Years of Solitude’, and the Spanish Candela Peña, for ‘The case Asunta’.
Torres – within the rite – took the platinum for Easiest Actress after taking the Golden Globe and having been nominated for the Oscar, a parallel direction however opposite to the movie, which took the awards of the Hollywood Academy for Easiest International Movie, however now not the Golden Globe.
The Salles movie – both used to be attended – has an actual case of a former deputy who disappears within the seventies all over the Brazilian army dictatorship. He additionally received the Goya for Easiest Ibero -American Movie and the Easiest Screenplay in Venice’s Mostra and with the platinum closes a triumphal 12 months.
Within the Ibero -American Audiovisual Awards he arrived with 3 nominations and received the 3: Easiest Movie, Easiest Actress and Easiest Course, thus defeating the nice favourite of the night time, the Spanish ‘L. a. Infiltrada’, which of the 11 candidacies he had, handiest finished two, the most productive script and perfect meeting path.
Whilst ‘The following room’, which additionally arrived with 3 nominations -better path, larger unique song and perfect pictures path -took the ultimate two, for Alberto Iglesias and Edu Grau.
The movie awards had been finished with the most productive forged actress for the Spanish Clara Segura, for ’47’, and the most productive forged actor, in a posthumous means, for the Argentine Daniel Fanego, who died ultimate September, for ‘El Jockey’.
And with the most productive artwork path for Eugenio Caballero and Carlos Y. Jacques, for ‘Pedro Páramo’, and perfect sound path for the Spanish ‘2d Prize’.
‘100 years of solitude’, the most productive adaptation of García Márquez
Within the sequence classes, the favourite used to be ‘One Hundred Years of Solitude’ and the forecasts had been met, with 3 platinum, perfect sequence, perfect actor (Claudio Cataño) and perfect forged actor (Jairo Camargo).
The sequence is the most productive adaptation that has been manufactured from a piece via Gabriel García Márquez, whose magical realism could be very tricky to take to the display and that, in this instance, with a wholly Colombian group, it’s been a luck.
Alternatively, the platinum for perfect sequence writer used to be taken via a Brazilian manufacturing, ‘Senna’, in regards to the lifetime of the sick -fated method 1.
The most efficient main actress of a sequence used to be for the Spanish Candela Peña, for her position in ‘The Asunta case’, which tells an actual and really arguable case in regards to the demise of a lady, for which her adoptive folks had been sentenced.
And the Platinum for Easiest Actress of Supply used to be for the additionally Spanish Carmen Maura for her paintings in ‘Land of Ladies’, a sequence starring Eva Longoria, who on the gala won the Platinum of Honor Award.
She used to be probably the most emotional moments of the gala since the Colombian Sofía Vergara gave the impression at the degree to ship her platinum to Longoria, at which period the 2 actresses merged into a large hug for her skilled profession and for her paintings for making visual the Latin group on the planet audiovisual.
Vergara led to the best laughs of the night time together with her jokes via introducing her buddy and spouse, who claimed that “lately, the sector, greater than ever, wishes excellent other people” just like the Spanish -speaking group, which exalted as “extra employees, extra human and extra passionate.”
Prince Royce, Pablo Alborán and Alberto Cortez (within the reminiscence)
Awards in a gala that had some musical numbers of probably the most numerous and through which Argentina María Becerra used to be lacking, which she deliberate to behave this night however that a couple of days in the past needed to be operated urgently via an ectopic being pregnant.
The presenters of the gala, the Mexican Aislinn Derbez and the Spanish Asier Etxeandía despatched him a kiss and wanted him a speedy restoration.
The Spaniard Pablo Alborán inaugurated the musical performances along with his new luck ‘Clickbate’, whilst the American of Dominican ancestry Prince Royce, referred to as the Prince of the Bachata, introduced a revision of significant pop hits with Latin rhythms, an advance of his new album, ‘everlasting’.
And Etxeandía, made a selected tribute with a reinterpretation of ‘Castles within the air’, some of the largest successes of Argentine Alberto Cortez.
A gala that ended with a need: ‘Good-bye Spain: lengthy existence to the Platinum Awards’, some awards promoted via the Entity of Rights of the Audiovisual Manufacturers of Spain (EGEDA) and the Ibero -American Federation of Cinematographic and Audiovisual Manufacturers (FIPCA), which is able to go back to Mexico subsequent 12 months.
Listing of winners of the XII version of the Platinum Awards
Easiest Ibero -American Fiction Movie:
‘Ainda Esou right here’ (‘I am nonetheless right here’, Brazil).
Easiest Ibero -American Fiction Comedy:
‘Searching for Coque’ (Spain).
Easiest cope with:
Walter Salles, for ‘I am nonetheless right here’ (Brazil).
Easiest script:
Arantxa Echevarría and Amèlia Mora, for ‘L. a. Infiltrada’ (Spain).
Easiest unique song:
Alberto Iglesias, for ‘The following room’ (Spain)
Higher male interpretation in cinema:
Eduard Fernández, via ‘Marco’ (Spain).
Easiest feminine interpretation in cinema:
Fernanda Torres, for ‘I am nonetheless right here’ (Brazil).
Higher Male forged interpretation in cinema:
Daniel Fanego, for ‘El Jockey’ (Argentina, Spain and Mexico).
Easiest feminine forged interpretation in cinema:
Clara Segura, for ’47’ (Spain).
Easiest animated movie:
‘Black butterflies’ (Spain and Panama).
Easiest Documentary Movie:
‘El Eco’ (Mexico).
Ibero -American fiction cousin operates:
‘The canine thief’ (Bolivia, Chile, Ecuador and Mexico).
Easiest meeting cope with:
Victoria Lammers, for ‘L. a. Infiltrada’ (Spain)
Easiest artwork path:
Eugenio Caballero and Carlos Y. Jacques, via ‘Pedro Páramo’ (Mexico).
Higher pictures cope with:
Edu Grau, for ‘The following room’ (Spain).
Easiest sound cope with:
Diana Sagrista, Alejandro Castillo, Eva Valiño and Antonin Dalmasso, for ‘2d Prize’ (Spain).
Cinema and Securities Training Award:
‘Reminiscences of a frame that burns’ (Costa Rica and Spain).
Easiest Ibero -American Cinematographic Miniseries or TV sequence:
‘100 years of solitude’ (Colombia).
Higher male interpretation on tv sequence:
Claudio Cataño, for ‘One Hundred Years of Solitude’ (Colombia).
Easiest feminine interpretation on tv sequence:
Candela Peña. via ‘The Asunta Case’ (Spain).
Higher feminine interpretation of tv sequence:
Carmen Maura, for ‘Land of Ladies’ (Spain).
Higher male interpretation of tv sequence:
Jairo Camargo, for ‘One Hundred Years of Solitude’ (Colombia).
Writer of Miniseries or TV sequence:
Vicente Amorim, Fernando Coimbra, Luiz Bolognesi Y Patrícia Andrade, via ‘Senna’ (Brazil).
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