Kingdom Academy and “Galimar”, Yslalan Star, a major celebration in Africa

Kingdom Academy and

Pictures: Hisham Massel Liam

Hespress – Wael PorscheonFriday 27 June 2025 – 06:00

Two days of passion for literature, translations, languages ​​and fantasies, which were organized by the African Arts and Arts Chair of the Academy of the Kingdom of Morocco in Rabat, in the context of celebrating 25 years since the first books of the prestigious “Galimar” chain “Galimar” entitled “Brown Continents”.

In the Moroccan capital, literature and writers from different parts of the African continent, their novels were published within this series, which became a reference in identifying etiquette from multiple countries from the African continent, or from the Diaspora, the broad world with roots in Africa, and the nail with prominent literary awards in the field of the crowning of French -speaking literature, such as “Goncourt” And “Ronodo”, to name a few.

From the date of the date, the publisher and founder of the French chain of Italian origin was attended by the first to translate the “Name of the Rose” by Ako Eico John Noel Chevano, the Italian Senegalese writer Amina Idara, the Senegalese Kangi Aydi, the Chadbur Nimrod, the Benini Floreon Kawo Zoti, the Mauritania Anada Devi, the Mali Osman Diara, and the Algerian Asia Dujlit, Cameroonian Gaston Paul Eva, French Annie Ferrett, Guinea Lipar M. Fofana, Al -Tashadi Mawasat Saleh Harun, French Senegalese Sylvie Candy, Congolese Erik Mocindly, Martinian Cayle Octavia, Congolese Bonifas Mongo Magto, Pighouli Sami Chuck, and French of Martinic Ann Tiri.

He honored the second day of the organized international date entitled “From the originality of deep depth to renewed vitality”, the late Kenyan writer last May last year, a year of life 87 Ngoggi and the Thyongo, with the interest of interfering with the need to honor him not to stay “prisoners” writing in languages ​​such as English and French, and follow his experience in which he divorced English in favor of writing literature in his mother.

The second day of the date organized by the Academy of the Kingdom of Morocco and the “Gallimar” publishing house was known to organize academic workshops, attended by researchers from multiple universities and various specialties, and hours continued in which researchers, researchers and writers discuss their writings, visions, issues, languages, private living, publishing issues, and literature.

The meeting concluded with a discussion with the publisher John Noel Chevano, managed by the coordinator of the African Arts and Arts Chair at the Kingdom Academy, Eugene Iboudi and the Academy, Sanaa Guatei, in which he talked about the establishment of the continuous “brunette” series of publishing its novels to this day, and his relationship with his “writers and writers” who invites them to contact him even at the end of the week and festivals, and about two books. He did not publish it for him to his publishing house in the context of his talk about the estimates and multiplicity of publishers, as well as touched on the issues that he believes in when writing, on top of which is the absolute freedom of the writer, and that the publisher does not impose anything and does not work control or pressure, but the writer accompanies where he wants to arrive.

It should be noted that this cultural event, according to the Kingdom Academy, is “an exceptional international literary event”; Because it is “characterized by three dimensions that give it a unique and transcontinental nature, it is an important literary event at the continent level, which combines writers and researchers to hold the imagined accountability, the patterns of relationship with history, African literary extensions, and open new horizons for comprehensive vision, as well as it embodies a successful model of cooperation between a prominent scientific institution (the academy of the Kingdom of Morocco) and a major global publishing house (Galimard), as well as being part of the ambitious cultural vision of Morocco, which confirms its position as a meeting place for intellectual and artistic ways at the African level.

Academy of the Kingdom of Morocco, African Literature Gallimar

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