“Inside Out 2” and its BBC reviews

The BBC’s review of “Inside Out 2”, the animated film with the most successful premiere in history, addresses a complex topic full of contrasts.

Just two years ago, Pixar surprised with «Turning Red» (known as “Red” in Latin America), an emotional story about the puberty of a 13-year-old girl who, despite her quality, launched herself directly into Disney+.

Now, the study presents us «Inside Out 2» (titled “Intensely 2” in Latin America and “Inside Out 2” in Spain), another exploration of the challenges of adolescence through the mind of a 13-year-old girl. It is a sequel that hits theaters, unlike its predecessor that was intended for the streamingwhich raises a curious discrepancy.

Despite this peculiarity, «Inside Out 2» does not disappoint. In a discouraging release season, it could be considered the best mainstream entertainment that Hollywood offers. The plot takes up the original concept of exploring the emotions of Riley Andersonnow with a new voice by Kensington Tallman, while dealing with the emotional complexities of adolescence.

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As in the first installment, anthropomorphized emotions such as Happiness (played by Amy Poehler) and her companions face new challenges when Riley She finds herself torn between maintaining her old friendships and exploring new opportunities at a hockey training camp. The arrival of new emotions, led by orange anxiety embodied in a Muppet-like character played by Maya Hawke, adds new dynamism and conflict to the story.

Although “Inside Out 2” does not escape criticism for some typical sequel concessions, such as the introduction of new rules and characters, it is still an inventive and moving cinematic experience. Directed by Kelsey Mann, the film not only entertains with its humor and adventure, but also delves into the complexities of human growth, especially during adolescence.

In conclusion, “Inside Out 2” stands out for its ability to mix fun with reflection, offering an experience that will resonate with both young and old, and that leaves the door open for future explorations in Riley Anderson’s emotional universe.