I am preparing for a film project with Lamjarred.

Egyptian show star Mohamed Ramadan will take to the stage of Al Nahda this evening to supervise the closing of the “Mawazine: Rhythms of the World” festival, in its 19th edition, which concludes after more than a week of evenings that attracted thousands of art and music lovers.

In a press conference, Mohamed Ramadan expressed his great happiness to be present at the largest music festival of the size of “Mawazine”, hoping to live up to expectations and conclude the event, and to present a concert “worthy of the Kingdom and the great Moroccan audience.”

The same speaker revealed for the first time the reason for announcing his absence from the Ramadan 2025 drama, explaining that he considers that singing and building a star has many taxes, “and a person must know the proportions of the diversity of the work he presents over the course of a lifetime.”

The same artist continued that he presented series and has a respectable dramatic record, so he preferred to focus on other sections of his artistic career, in order to support them, such as cinema and theater.
The owner of “Number One” indicated that he is preparing for a cinematic project with the artist Saad Lamjarred, whom he considers a big star and a close friend of his. He confirmed that they had a conversation about a cinematic film and they had already worked on it, while the screenwriter began writing it. He added, “The project is still ongoing, as is the brotherhood,” hoping to present a cinematic work to the public soon.

The Egyptian artist highlighted that “what most prolongs a star’s life is his ability to keep surprising the audience, who are only surprised by something unexpected, while being keen on diversity, which is the basis of a star so that his fans do not get bored with repetition and stereotypes.” He stressed that he believes in awareness before striving, and the idea of ​​studying each stage, while “one should only succeed in studying the works, and adopt a special strategy in each stage the artist goes through,” explaining that he sometimes finds himself in crises that require changing his strategy, so he has “a struggle for survival, not the top.”