Boukhlait offers new readings of Bachelard’s thought

Recently published by the Jordanian Jabra Publishing and Distribution House, a new work by researcher Saeed Boukhleit, titled: “Gaston Bachelard: New Readings…Science, Literature, Poem.”

The author prepares a research approach within a series of researcher Boukhlait’s interest in the literary and critical sources of Gaston Bachelard, and the structuring features of the chapters of this translation were crystallized, according to topics whose topics varied, as many Bachelard references were numerous, occupying approximately 244 pages of large pieces.

One of the introduction paragraphs says: “These approaches to the thought of Gaston Bachelard consolidate an additional link within the path of previous publications, which I devoted years ago to fulfilling the inspiration for the visions of new literary criticism, as well as modern poetics, and then before that inspiring the foundations of a new epistemology that explores structures, systems, methods, and the foundations of the mind.” Contemporary science, according to a creative mental dialectic; At the same time, it works on its relationship with itself and the various cognitive and methodological developments taking place in other fields.

Despite this, the road is still long, and the works are very urgent, as much as their structural composition, theoretical overlap, and endless conceptual dialogue, which constantly requires diligence, perseverance, and Sufi focus, with the aim of probing the depths of the mechanisms of practicing knowledge of some of Bachelard’s relics, the author of the projects The Constructive Philosophy of Negation and The Phenomenology of Image. Inspiring poetry.”

The publication dealt in detail with the rationale for the following general titles: “Bachelard studies on the connotations of the poetic and metaphysical moment, then the poem according to Arthur Rimbaud and Stephane Mallarmé,” in addition to “Bachelard and literary criticism,” “Bachelard and critical awareness,” and Bachelard across the various paths of his personal and scientific life.”

In addition, the book brings to mind “Bachelard and the Identity Ascension,” from a temporary employee in the field of post and telegraphy in the Romermont region between the years 1903 and 1905, working for sixty hours a week, and then his cognitive advancement towards the destination of one of the greatest teachers of humanity during the twentieth century, and how he earned the title of Socrates of the era. Hadith, other titles such as Bachelard’s Dictionary, and the foundations of agreement and disagreement between Bachelard’s and Karl Popper’s projects, in addition to “Bachelard and his last book, “Fragments of the Poetics of Fire,” published after his death, by his daughter, Suzanne.

Among the most important conclusions of Bachelardian thought are a number of approaches that sought to shed more light on Bachelard, the philosopher of science, the poet of literature, the dreamer of the universe and existence guided by the aesthetics of physics, as inspired by the prowess of the chemistry of the poets’ language.

The introduction adds: “Bachelard’s feelings combined, with incomparable fairness, his love of mathematics as the utmost limit of rationality, and then poetry, based on a strong justification and an integrated vision that is evident in the human ability to dream and imagine.

Thus, just as Bachelard demonstrated his professorship regarding the subtleties of the exact sciences, he was equally competent as a distinguished teacher of the literary lesson, when his dreamy readings were passionately focused on the aesthetic texts of: Rimbaud, Baudelaire, Edgar Allan Poe, Hölderlin, Balzac, Flaubert, Rilke, Paul Valéry, Charles Swinburne, Sainte-Beuve, Diderot, Albert Péguin, Henri Bosco, Louis Guillaume, René Char, Van Gogh, Kafka, Victor Hugo, Jean-Hippolyte, Henri Michaud, Blanchot, Lautrémont, Nietzsche, André Breton… towards establishing the elements towards criticism A new literature distributed between the trends of structuralism and objectivism, through the theories of modernist readings around which brilliant names such as: George Bouley, Roland Barthes, John Rossi, Gilbert Durand, Gérard Genette, Jean-Pierre Richard, Charles Meuron, and John Starobinsky came together.