Already in 2005 and after the resounding (and deserved, I believe) luck that he had with “growth of the battlefield” and “the fundamental debris”, Michel Houellebecq wrote “the potential for an island.”
In opposition to what you’ll assume, this can be a textual content that, even though it does in a dark tone, seeks the birthday party or, a minimum of, the revaluation of lifestyles and actual feelings. Within the unusual long run, two clones (Daniel 24 and 25), they to find one thing just like the memoirs in their unique, which make them surprise what it’s, let’s no longer say the that means, however quite, the emotional and psychological cartography of the sector wherein they are living.
This is a just right novel.
Breedplay this is at the billboard in theater of reminiscence, can in some way be connected to that textual content, as a result of they begin from a vaguely equivalent premise.
On this paintings, we all know a lady, utterly nameless, with not anything particular (so nameless and no longer very particular that it’s not possible that it isn’t particular) who emerges in our view with the obsession to breed, no longer within the conventional sense (maternity, biology), however in a subject matter sense: his obsession, to place it somehow, it’s to represent replicas of itself.
The paintings, in the case of meeting is, no doubt, superb. The design of Laurene Lemaitre is an actual and smartly -developed paintings, which dialogues in a concrete and essential manner with the movements that happen at the degree, in the similar manner, the sound design of Ximena Sánchez, manages to generate the sensation that the whole lot, on the stage of vibration and loudness, accompanies the paintings with relevance to the paintings.
Those two issues are paintings central, each are environment friendly, smartly advanced and with loads of main points that articulate an unusual visible display. The multimedial design, in addition to the lights by means of Alex Waghorn and Matías Segura, do the similar. They take part within the tensions and distersions of the meeting, protecting the info, the textual content and the efficiency; They by no means change into over the top, as a result of they’re dosed with purpose and neatness.
The dramaturgy of Catalina Bize del Campo (who could also be the actress and director) is, possibly, the bottom level of labor. It’s putting that, having a reinforcement advanced with dramatism and scenic accompaniment that tax on the identical house (by means of Moisés Attitude, Marcia Minted, Javier Swedsky and Border Area), this component isn’t finished smartly.
Even though the textual content is definitely written and it may be thought to be that there’s a reflexive and acute pen, dramaturgy lacks risk or sense of motion, it’s an accompaniment that turns out imprecise and has to get misplaced in turns and phrases that appear extra the purpose of an existential mirrored image than mentioned cavilation itself.
The Directorate of Catalina Bize, then again, in spite of this drawback, solves the scenic sport, the speculation of meeting is competent and advanced successfully, very acute care and intelligence is noticed when defining the moments of the meeting, the photographs which might be proven and the facility to change time and area.
In all probability for a similar explanation why, Bize’s huge talent to behave. It isn’t a prejudice, to the contrary, it affects that directing this type of advanced meeting, so filled with main points and so difficult in the case of movements, it manages to accomplish such a lot actorically.
Bize mobilizes thru other feelings, with other energies and with a chain of emotional forces that come and cross, even if it says texts that don’t essentially grasp smartly or when, silently, it most effective acts, manifesting feelings, power and imaginative capability.
“Re-produce” is a really well built paintings, for my part, unmissable, as a result of we face a cast, scenically exhausting paintings and that, no doubt, excites.
Inventive Sheet:
Dramaturgy and route: Catalina Bize del Campo
Dramaturgism and scenic accompaniment: Moisés Angulo Matamala
Deal with Assistant: Nicolás Vergara Nuñez
Scenographic and gown design: Laurene Lemaitre
Lights Design: Matías Segura Soto
Sound design: Ximena Sanchez Egaña
Multimedial Design: Alex Waghorn Gallegos
Press: Cynthia Olave
Manufacturing: Nicolás Fernandois
Dramaturgical accompaniment: Marcia garden Laplechade, border area, Javier Swedsky, approaches to the phrase, FTB.
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The content material poured on this opinion column is unique duty of its writer, and does no longer essentially replicate the editorial line or place of The counter.