After literary criticism had come a long way in questioning and debating creative texts, it began to turn to itself, question it, repeat its concepts, sometimes break with them, and sometimes develop them. Indeed, at one stage of its life, it began to talk to itself more than it talked to poetry or narration, and with this, over time, what is known as (criticism) appeared. Criticism) This trend preoccupied many critics who were concerned with criticism, its concepts, methods, and its charm. Indeed, the complaints of poets and writers arose, and their cries grew louder about the criticism’s neglect of their achievements and their preoccupation with the criticism house, its furniture, and its details. Moreover, this matter in general of literary criticism was high and Arab, and literary criticism was not in Iraq. Aside from these transformations – albeit to a lesser extent – therefore academic studies turned clearly to literary criticism in Iraq and continued.
His critical methods, concepts, and discourse in general. It began with the lectures of Dr. Jamil Saeed, “Looks at Modern Literary Currents in Iraq” (1954 AD), and the lectures of Dr. Ahmed Matloub on Literary Criticism in Iraq (1968 AD), and did not end with Dr. Saleh Zamel’s study of “Methods of Literary Criticism in Iraq” (from (1980) – 2005 AD), and between them were eight Academic studies focused on criticism and its methods, as well as non-academic studies that were concerned with criticism: “Critical Orbits” by Fadel Thamer and “One Hundred Years of Critical Thought” by Saeed Al-Ghanimi, and “Criticism of Poetry in Iraq between Influence and Methodology by Inad Ghazwan, and Rafael Butti and the Pioneering of Criticism” by Hatem Al-Sakr and Nihad Al-Takarli. “The pioneer of modern literary criticism in Iraq, Al-Sami Mahdi…etc. All of these books and others focused on criticism and its affairs, including: Methods, Concepts, Pioneering, and Criticism’s Vision for Creative Achievement in Iraq, but there remains an important detail of literary criticism that has not been clearly studied in Iraq, due to This is because the critical lesson in the Arab world has recently turned to it, and this chapter is the “critical language,” which represents the basic interface of the critical discourse and is in direct contact with the recipient. Therefore, the critical language was accused of ambiguity, looseness, and terminology, in general, without taking care to analyze that language and classify the critics’ methods methodically and subjectively. That is why the subject of this book is “The Language of Modern Criticism in Iraq – Approaches to Criticism of Criticism.” It is concerned with the critical dictionary of the Iraqi critic and is also concerned with the developments of his gesture and the extent of his distinction with the non-Arab critic.
The terminological, despite the intertwining of critical approaches and their dictionaries, is written by Arif Al-Saadi.
#Bilad #newspaper #read #book #Language #Modern #Criticism #Iraq #Essayism #Systematicism